DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be yearning romantics, using this type of change: Buster looks a plausible mate, and also the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been built in a more liberated time, it can be done to imagine Keaton in mattress with a girl, but disquieting to think about the Tramp as being a sexual remain